Chaucer's Works, Volume 6 — Introduction, Glossary, and Indexes — Context and Discussion
Edition facts
The source record for Chaucer's Works, Volume 6 — Introduction, Glossary, and Indexes — Context and Discussion measures this digital text at 222,204 words, 16 hr 7 min estimated reading time, and 35 detected text sections.
The text analysis averages about 4.9 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “English poetry -- Middle English, 1100-1500,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Morris was justly celebrated for his acuteness in unravelling the intricacies of the various Middle-English dialects, and for his swiftness of perception of the right use of grammatical inflections; and he communicated the results of his labours with unsparing generosity.
The Prioresses Tale, Sire Thopas, the Monkes Tale, the Clerkes Tale, and the Squieres Tale were first edited by me, with Notes and a Glossary, as far back as 1874; and the book has passed through several editions since that date[8].
The Tale of the Man of Lawe, the Pardoneres Tale, the Second Nonnes Tale, and the Chanouns Yemannes Tale, were first edited by me, with Notes and a Glossary, in 1877; and have been several times revised in subsequent editions[8].
It will now be readily understood that nearly all the notes and illustrations that have appeared in these various books are here collected and reproduced (with corrections where necessary); and that many others have been added of a like kind.
Perhaps I may fairly introduce here the remark that many illustrations and explanations which are now perfectly familiar to readers of Chaucer originally appeared for the first time in these smaller editions. Thus, to mention a matter of no great importance, my note on Group C, l. 321, demonstrates the exact form and position of the _ale-stake_, and shews that the old interpretation of 'may-pole' in Speght is wrong, and that Tyrwhitt's statement as to its being 'set up' is misleading; for its position was horizontal. And only a little further on, at l. 405, I explain how the peculiar construction arose which admitted of such a phrase as 'goon a-blakeberied'; an explanation which is duly quoted as mine in the New E. Dict., s.v. _Begged_.
Nevertheless, provided that correct explanations are given, it makes but little difference to the reader by whom they were first made. Hence notes have been included from all accessible sources, and it has not always seemed to be necessary, in minor instances, to specify whence they are derived; though this has usually been done.
s. 11. It remains for me to express my great obligations to the labours of others, and to acknowledge, with thankfulness, their assistance and guidance.
As regards the texts, my chief debt is to the Chaucer Society, which means, practically, Dr. Furnivall, through whose zeal and energy so many splendid and accurate prints of the MSS. have been produced, thus rendering the actual readings and spellings of the scribes accessible to students in all countries. It is obvious that, but for such work, no edition of Chaucer could have been attempted without an enormous increase of labour and a prodigal expenditure of time.
Next to the MSS., the only authorities of any value are a few of the earliest prints; viz. those by Caxton, and (in the case of the Envoy to Bukton) by Julian Notary; and the editions by Thynne and Stowe. Thynne's text of the Book of the Duchesse is, in _one_ passage, the sole authority; and his text of the Romaunt of the Rose is, not unfrequently, correct where the Glasgow MS. is wrong. His text of the House of Fame is also valuable, and so is that of Caxton; and the same remark applies to some of the Minor Poems. Both Caxton and Thynne furnish very fair texts of Boethius. Thynne's version of Troilus follows a good MS., and is worth collation throughout; but his Legend of Good Women follows a MS. of a very poor type, and his Treatise on the Astrolabe is decidedly bad. Very little help is to be got from Thynne as regards the Canterbury Tales; indeed, it is the chief fault of Tyrwhitt's text that he trusted far too much to the old black-letter editions.
Stowe's edition of 1561 is useful in the case of A Complaint to his Lady and Words to Adam. Otherwise, it may usually be ignored.
As regards later editions, I am most indebted to the following.
To Dr. John Koch, for his edition of the shorter Minor Poems, viz. those which in the present edition are numbered as I. VIII. IX. X., XIII-XVII., and XIX. His text is excellent, and there are numerous notes. He has also written several important criticisms in Anglia, besides a detailed examination in Englische Studien (xv. 399) of my own edition of the Minor Poems, published in 1888.
To Dr. Max Lange, whose dissertation on the Book of the Duchesse is careful and useful.
Walter W. Skeat's edition of Chaucer's complete works, of which this is the sixth volume, is a monument of nineteenth-century philological scholarship. The volume opens with a substantial general introduction that systematically addresses the canon, dialect, pronunciation, scansion, and textual history of Chaucer's writings. Skeat's approach is methodical: he devotes sections to the sources of long e, open and close o, and the non-riming of -y and -y-ë, illustrating his arguments with word-lists and examples drawn from the poems.
The glossary that follows is the heart of the volume, offering concise definitions, part-of-speech labels, and line references for thousands of Middle English words. Entries such as 'Mowen, v. be able' and 'Muchel, adj. much, great' show the range of forms and spellings Chaucer used. The volume also includes indexes of names and subjects, making it a practical reference tool for readers working with Skeat's text.
Skeat's Phonological Framework
Skeat devotes more than fifty sections of the introduction to the sounds of Chaucer's English. He distinguishes open and close ō and ē, traces their development from Old English, and provides extensive word-lists to support his claims. For example, he notes that 'long and short open o' can be studied through rimes in the Minor Poems, the Legend of Good Women, and the Canterbury Tales. His analysis is grounded in the evidence of rime: he examines pairs like 'broughte' riming with 'nought' and discusses apparent exceptions. Skeat also addresses the non-riming of -y and -y-ë, a feature that helps date and authenticate poems. The introduction thus functions as a practical guide to reading Chaucer aloud, with phonetic symbols and an 'Example of pronunciation' included.
The Glossarial Index as a Lexicon
The glossary, titled 'Glossarial Index,' is the most substantial part of the volume. Each entry gives the headword, part of speech, a brief definition, and one or more line references. For instance, 'Mowe, s. grimace (see note), T. iv. 7; Mowes, pl. HF. 1806; I 258.' The entries often include variant spellings: 'Muchel, adj. much, great, A 2352, B 2582, ... also Mochel, Michel.' Skeat also supplies etymological notes, as in 'Moysoun, s. crop, growth, R. 1677. O. F. moison; from Lat. acc. mensionem.' The glossary covers not only common words but also rare terms like 'Mullok, s. a heap of refuse' and 'Muwet, the same as Mewet.' It is designed for the reader who encounters unfamiliar vocabulary while reading Chaucer's works.
Editorial Method and Textual Notes
Skeat's introduction explains his editorial principles. He states that the edition is 'edited, from numerous manuscripts' and acknowledges obligations to earlier editors such as Thomas Tyrwhitt, Thomas Wright, and others. The volume includes a table of contents listing sections on the Romaunt of the Rose, the Minor Poems, Boethius, Troilus, the House of Fame, the Legend of Good Women, the Astrolabe, and the Canterbury Tales. Skeat also discusses 'Aesthetic criticism' and 'The Dialect of Chaucer,' noting Kenticisms. The textual notes are sparse in this volume, but the glossary occasionally includes cross-references to Skeat's notes, as in 'Mowe, s. grimace (see note).' The volume thus serves as a companion to the preceding five volumes of the edition.
Readers using this volume alongside Skeat's text of Chaucer's works will find that the glossary and introduction clarify many linguistic and textual puzzles. The phonological sections reward careful study, especially for those interested in Middle English pronunciation. Because the volume is a reference work, it can be consulted piecemeal: the glossary for specific words, the introduction for broader patterns. Skeat's meticulous cross-referencing and his attention to variant forms make this an enduring resource for Chaucerian scholarship.
There’s a peculiar comfort in Skeat’s glossary, those long trails of citations that feel like footsteps through old grass. It makes me think of how we piece together meaning—word by word, clue by clue. Something in that quiet patience lingers when I recall A Legend of Goat Island — A Reader’s Guide, a book that also asks you to look closely, slowly, and perhaps find a different kind of treasure.
Your personal reading reflection
Build a private reading journal entry for this title.
Madison Brown
2 weeks ago