The Ballad of Ensign Joy — Reading Companion
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The catalog record for The Ballad of Ensign Joy — Reading Companion provides practical reading context through 5,894 words, 26 min estimated reading time, and 2 detected text sections.
The text analysis averages about 20.5 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “World War, 1914-1918 -- Poetry,” connecting these edition facts with the source record’s subject description.
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- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
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Read the Text
THE BALLAD of ENSIGN JOY
E. P. Dutton & Company
THE BALLAD of ENSIGN JOY
[Ill 9011] IS is the story of
````That I love for each gentle English
````Who jumped to his country's
````By their fire and fun, and the
`````deeds they've done,
````I would gazette them Second to
````Who faces a gun in Gaul!)
|IT is also the story of Ermyntrude
````A less appropriate name
````For the dearest prig and the
`````prettiest prude!
````But under it, all the same,
````The usual consanguineous squad
````Had made her an honest child
````And left her to play the game.
|IT was just when the grind of
`````the Special Reserves,
````Employed upon Coast Defence,
````Was getting on every Ensign's
````Sick-keen to be drafted
````That they met and played tennis
`````and danced and sang,
````The lad with the laugh and the
`````schoolboy slang,
````The girl with the eyes intense.
|YET it wasn't for him that she
`````languished and sighed,
````But for all of our dear deemed
````And it wasn't for her, but her
`````sex, that he cried,
````If he could but have probed
````Did she? She would none of his
`````hot young heart;
````As khaki escort he's tall and
````As lover a shade uncouth.
|HE went with his draft. She
`````returned to her craft.
````He wrote in his merry vein:
````She read him aloud, and the
````Ermyntrude bore the strain.
````He was full of gay bloodshed and
````His flippancy sent her friends
````Ermyntrude frowned with
|HIS tales of the Sergeant who
````Left Ermyntrude cold and
````The tactless truth of the picture
````And some of his jokes were
````Yet, let him but skate upon
````And he had to write to her twice
````Before she would answer him.
|YET once she sent him a
````And her pocket felt the brunt
````Of tinned contraptions and
`````books and socks--
````Which he hailed as "a sporting
````She slaved at his muffler none
````And still took pleasure in mur-
````For a friend of mine at the
|ONE fine morning his name
````Looking so pretty in print!
````"Wounded!" she warbles in
````And pictures the reddening
````The drawn damp face and the
`````draggled hair . . .
````But she found him blooming in
````Grosvenor Square,
````With a punctured shin in a
|IT wasn't a haunt of Ermyn-
````That grandiose urban pile;
````Like starlight in arctic altitudes
````Was the stately Sister's smile.
````It was just the reverse with
````In his golden greeting no least
````In his shining eyes no guile!
|HE showed her the bullet that
````He showed her the trick,
````He showed her a table timed to
````And a map that an airman
````He spoke of a shell that caused grievous loss--
````But he never mentioned a certain
````For his part in the escapade!
|SHE saw it herself in a list next
````And it brought her back to his
````With a number of beautiful
````Which were mostly over his
````Turned pink as his own pyjamas'
````To her mind he ceased to em-
````Sank into her heart instead.
|I WONDER that all of you
````"My blighters were not that
````"But it says _you_ 'advanced un-
`````der murderous fire,
````Machine-gun and shell com-
````"Oh, that's the regular War
````"'Advanced'--with that leg!--
`````'on his hands and knees'!"
````"I couldn't leave it behind."
|HE was soon trick-driving an
`````and dancing about on a crutch;
````The _haute noblesse_ of Grosvenor
````Felt bound to oblige as such;
````They sent him for many a motor-
````With the wistful, willowy wisp of
````Who never again lost touch.
|THEIR people were most of
`````them dead and gone.
````They had only themselves to
````His pay was enough to marry
````As every Ensign sees.
````They would muddle along (as
`````in fact they did)
````With vast supplies of the _tertium
````You bracket with bread-and-
|THEY gave him some leave
`````after Grosvenor Square--
````And bang went a month on
````For Ermyntrude had a natural
````For the least unusual plans.
````Her heaviest uncle came down
````And entertained, at a fair hotel,
````The dregs of the coupled clans.
````To keep the wolf from the
````The economical Ermyntrude
````Had charge of the dwindling
````When a Board reported her
````As--some expression she didn't
````And he left for the Front once
|HIS crowd had been climbing
`````the jaws of hell:
````He found them in death's dog-
````With little to show but a good
````In their fissure of smoking
````There were changes--of course
`````--but the change in him
````Was the ribbon that showed on
````And the tumult hidden be-
|FOR all he had suffered and
````Seemed nought to a husband's
````And the Chinese puzzle of mod-
````For subtlety couldn't compare
````With the delicate springs of the
````To be led with a highly sensitised
````In a slightly rarefied air!
|YET it's good to be back with
`````the old platoon--
````"A man in a world of men"!
````Each cheery dog is a henchman
````Especially Sergeant Wren!
E. W. Hornung's The Ballad of Ensign Joy (1917) is a narrative poem that intertwines a love story with the experiences of a young officer during World War I. The poem opens with a direct address to the reader, declaring it "the story of Ensign Joy" and praising "each gentle English boy / Who jumped to his country's call." This sets a patriotic tone, but the poem quickly complicates this by introducing Ermyntrude, described as "a less appropriate name / For the dearest prig and the prettiest prude." The contrast between the idealized home front and the harsh realities of war becomes a central tension.
The Ballad Form and Colloquial Voice
Hornung employs a traditional ballad meter—alternating tetrameter and trimeter lines—but infuses it with colloquial, even flippant language. The narrator uses phrases like "sick-keen to be drafted hence" and describes Ensign Joy's letters as "full of gay bloodshed and Old Man Fritz." This blend of formal structure and informal diction mirrors the poem's thematic conflict: the clash between the romanticized notion of war and its gritty reality. The narrator also inserts parenthetical asides, such as "(I would gazette them Second to none / Who faces a gun in Gaul!)" which break the fourth wall and create a conversational intimacy with the reader.
Ermyntrude: The Home Front Perspective
Ermyntrude is portrayed as a product of her environment: "the usual consanguineous squad / Had made her an honest child of God— / And left her to play the game." She reacts to Ensign Joy's letters with discomfort, finding his "tactless truth" and "grim" jokes jarring. When she learns he is wounded, she imagines "the reddening lint, / The drawn damp face and the draggled hair," only to find him "blooming in Grosvenor Square, / With a punctured shin in a splint." This gap between her imagined suffering and his actual experience highlights the disconnect between the front and the home front. Her eventual realization—seeing his name in a list of those awarded a cross—prompts a shift in her perception, as she "sank into her heart instead" of viewing him as a type.
War's Reality vs. Romantic Ideal
The poem repeatedly undercuts heroic expectations. Ensign Joy shows Ermyntrude "the bullet that did the trick" and "the trick, x-ray'd," along with a map made by an airman, but he "never mentioned a certain cross / For his part in the escapade." The narrator later reflects on the fate of young soldiers: "Cut down in his high heyday, / Or ever the Sweets of the Morning cloy, / Or the Green Leaf wither away." The final stanza addresses Ermyntrude and "many a hundred more— / Compact of foibles and fortitude— / Woo'd, won, and widow'd, in War." The poem thus acknowledges the loss and sacrifice while maintaining a tone of gallant resignation, ending with a prayer: "God, keep us gallant and undefiled, / Worthy of Husband, Lover, or —Child..."
Readers should note that the poem's catalog subject is "World War, 1914-1918 -- Poetry," but the excerpts reveal a work more focused on the emotional dynamics between a soldier and a civilian woman than on battle scenes. The poem's voice is deliberately uneven—shifting from patriotic fervor to ironic detachment—and its treatment of Ermyntrude's growth from prude to widow offers a nuanced view of wartime romance. The incomplete text prevents full assessment of the poem's resolution, but the extant stanzas suggest a meditation on the cost of war and the resilience required to bear it.
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Gabriel Campbell
3 weeks ago